Inner-south community groups received a curious, but welcomed, phone call on Thursday (November 4) from the communications officer of the ACT Suburban Land Agency (SLA).
Inner-south community groups received a curious, but welcomed, phone call on Thursday (November 4) from the communications officer of the ACT Suburban Land Agency (SLA).
There’s a lot to be seen at the exhibitions at the National Gallery of Australia this summer – so it’s time to get thee hence – – –click here.
To link to a review of The National at the Art Gallery of NSW – click here.
The Singapore Biennale is now on till 26 February 2017.
Have a look at the photograph above – taken from the Canberra Times.
The NGA has a special exhibition until 6 November 2016 on the works of Mike Parr. click on the image above….
weird things can happen within the art world – as in all aspect of life.
Beauty In This is a wonderful photography exhibition, by Maryanne Voyazis, on for a short time at Nishi Gallery, New Acton.
There’s a wonderful exhibition at the NGA till 30th October 2016 – Diane Arbus: American portraits.
2016 Auckland festival of photography – June 2016
The 2016 Auckland festival of photography like many Australian photographic festival is very dependent on the enthusiasms and the energy of a small band of people, or more often than not, just one person.
A Further Shore: Bombs, babes and sons of beaches
Manly Art Gallery (Sydney) till 26 April 2015
From Robert Dein photographic collection
There are some photography exhibitions that really reinforce how wonderful photography can be. There are exhibitions that demonstrate just how creative some collectors are in how they choose their collections. This exhibition at the Manly Art Gallery does all that and more. If you love photography, then do not miss this exhibition of contemporary and historic photographs.
Open till 22 February 2015.
The Bungaree exhibition at the gallery contains works by 16 emerging and established artists who have nominally re-interpreted the stories around Bungaree. The image to the right is of Bungaree. There are numerous historic paintings of Bungaree.
Australian War Memorial Canberra
This is moving stuff. It is totally recommended that you visit the War Memorial to spend time with these precious artifacts.
It is not the job a reviewer to write stuff that everyone agrees with. The Guardian has a number of art reviewers and therefore we have a range of opinions. However one would expect any of these reviewers to be making sense.
It has come to pass that one reviewer has been showing signs of stress or something equivalent.
25 Sept – 11 Jan 2015, Barbican Art Gallery, London
MUMOK – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
Spoiler alert. Be warned, this exhibition did not excite! Cosima Von Bonin’s latest exhibition is across several floors of the MUMOK and it is impressive. There are loads of cultural references and heaps of barbs at things within our culture, particularly the american culture we have all come to love and loath. It was an interesting experience to visit this massive exhibition.
I took my time – but
at Canberra Grammar School Oct 2014
There’s been a couple of short-run sculpture festivals in recent years in Canberra. It is a great thing to see these events as they provide opportunities for our sculptors who otherwise have trouble getting into the usual exhibition venues.
There have been many occasions when I visited an exhibition of contemporary visual arts, particularly those of the conceptual installation art version, and I have left with little satisfaction or a memory of strong engagement. To be positive, there have been many great pieces I have seen in this genre.
Flux Realities: A Showcase of Chinese Contemporary Photography
at Singapore Arts Science Museum till 2 Nov 2014
till 8 February 2015
The Singapore Art Museum (SAM) is presently exhibiting three exhibitions in 8Q, its special annex located on Queens Street around the corner from SAM’s main building. The exhibition is a triple bill made up of three exhibitions that occupy the whole of the building’s exhibition spaces.
Down by the lake in Canberra, within that strange-looking architectural structure which is part of a local folley, called Commonwealth Place, the National Gallery of Australia has moved in to open an exhibition space for Australian contemporary art. It is called NGA Contemporary and is well worth a visit.
Alex Seton, Refoulement at Sullivan + Strumpf, Sydney till 11 October 2014
He was recently a major artist at the Adelaide Biennale and his earlier photographs are presently in an exhibition at the National Gallery in Canberra.
I wandered into this exhibition with some doubts given the title. I have long been sceptical of the direct link that some artists and authors make between music and the visual arts. This is not to say that some visual artists may be influenced by some music or rhythms.
As I have said before, I wonder why a country such as Australia with its amazing landscapes does not have a much stronger arts in the landscape profile, let alone many more robust public art programs.
We attended a crowded opening there tonight for the opening of Ruth Waller’s exhibition of recent paintings. Can I say that I would love to talk more about the art, but it was very difficult to see given the crowd. That’s why I often avoid openings and get along later.
We were fortunate to have a business reason to be in Sydney for the Monday, so allowed ample time on the weekend to get down to the Museum of Contemporary Art (MCA) on beautiful circular Quay to see this once in a lifetime exhibition of Annetta Messager’s artworks. It was definitely worth the trip. We loved it so much we went back the next day for a revisit.
One of my many puzzles has been why within Australia, with all the diversity of natural landscapes, do we not see much landscape art.
What I mean by that are artworks that actually are designed in the landscape or at least using natural materials to be in the landscape. There’s an article online about an architect who works with nature. click here.
for more on architecture – click here
Paul Costigan, 20 August 2014
With contributions by Eleanor Weber
I have just seen this new book on the tables at Readings in St Kilda, Melbourne. So that means you can order in Australia and they deliver it for free.
This is a WOW book. It is about photography, about contemporary practice of fashion photography, and it is published in a lavish and stylish book.
There are many other exhibitions, especially collection exhibitions, that are a wonder to see and enjoy.
till 19th October 2014, then touring.
The National Portrait Gallery in Canberra has done itself proud with this special exhibition of photographs produced from the archive of the photographer John Witzig. Full marks to the historian curator, Sarah Engledow.
Things you find on the sidewalk in London!
There’s not much to add to this story online. Click on the image.
Here’s an exhibition that you must see. If you are in Sydney or thinking about going to Sydney, you must allow ample time to wander through and contemplate this exhibition by this extraordinary artist. We were there on Saturday, and it was busy. Today (Sunday) we returned to watch the film and to walk through again. If you have any interest in contemporary art, a visit to the MCA will be worth it! Then go back for a second visit.
There will be a review to follow. Click here. The catalogue is a wonderful production but I suspect it is about to be sold out (I have one).
Paul Costigan, 3 August 2014
The security at the Museum of Contemporary of Art (MCA) in Sydney is usually very attentive and they are very helpful if you ask them anything. Today while visiting we noticed a fault.
Canberra Museum and Gallery, till September 14 (2014)
Review: This very crowded exhibition at the Canberra Museum and Gallery brings together loads of posters and related materials by the two Northern Territory political artists and poster makers, Therese Ritchie and Chips Mackinolty. There is a lot to take in.
For anyone interested in historic poster making and the more recent version of digitally produced poster-like artworks, then set aside enough time and wander through the gallery. I say again, there is a lot to take in – the curatorial approach has been to occupy the space with as much work as possible.
Review: The imagined tableaux has been a fascinating area of photography from the beginnings of the art form. Personally I place this form of photography as being one of the most enjoyable and engaging forms of photography. Therefore I would always recommend an exhibition by Jeff Wall , no matter how many times you have seen his work previously.
Paul de Kort is an artist who is working in Landscape Art who has delivered several major projects. There’s a couple of links below..
Araya Rasdjarmrearnsook: Storytellers of the Town
at the ANU Drill Hall Gallery till 10 Aug 2014
I highly recommend a visit, and to take your time, to see this exhibition of video, installation, prints and photographs by this Thai artist at the ANU Drill Hall in Canberra.
Here’s a small group of photographs from a recent visit to Goulburn on a very cold winter’s day. I managed to take a few moments from the business trip to snap a few photographs.
Click on any photograph to enlarge.
Here are a few photographs taken near the Roma Street Parklands in mid winter 2014. This time of the year makes for wonderful light. Please click on any of the images to enlarge them. I enjoyed this image because of the shadows and the light, the plants were being highlighted, and of course the texture and mass of the rock wall.
From an article by Jori Finkel in the Art Newspaper:
In New York, Sperone Westwater comes in at 91 versus nine. Team Gallery at 85 versus 15; Matthew Marks at 84 versus 16, and Mary Boone at 83 versus 17. Some of the top galleries in Los Angeles tell a similar story: Blum & Poe is 89 versus 11; Prism is 88 versus 12; Thomas Solomon is 85 to 15, and Patrick Painter is 83 to 17.
The debate over what different people, institutions and township are doing with their formerly treasured artworks by Rolf Harris has been sad to watch. This style of artwork was always more of a populist marketing campaign. His art was and remains simplistic and very ordinary at best.
I was a little shocked when he was commissioned to paint a portrait of the Queen. Continue reading Unloved Art
Our public galleries have wonderful collections. Collection exhibitions are often overlooked by the public as the marketing foolishly concentrates on the block busters and special exhibitions. This is a shame as the collection exhibitions are wonderful.
I welcomed the opportunity to visit Harvest: Art, Film + Food. To see this mix of art was indeed a welcomed experience. Continue reading Harvest at GOMA
The centre of Melbourne has a tremendous network of laneways. Many are well established as alternate routes to the main streets. Many of the laneways have cafes, and in more recent years, many have become havens for all manner of street art.
Guest Relations at Jan Manton Art
I had a chance last week to see Guest Relations, the exhibition of Robyn Stacey in Brisbane. As I had pointed out in my earlier review, it is a show not to be missed.
Click here for my former post.
Click here for words in Art Almanac
Click here for Jan Manton Art.
Click here for Stills Gallery, Sydney.
Paul Costigan, 6 July 2014
A good news story from the Art Newspaper about paintings that were destined to shunted off the scene as they were obvious fakes. After some work by clever conservationists, some secrets were revealed and the paintings are in fact highly prized treasures. To featured in an exhibition: Faked, Forgotten, Found.
A good news art story. click here.
Paul Costigan, 29 June 2014
On Exhibit at Parliament House in Canberra are the commissioned photographs by Anna Zahalka (click here). The photographs are of the staff who are normally behind the scenes and whose work is vital to so many operations within the building.
I have stayed in many hotel rooms in many cities and towns. The experience of being in a hotel room, although now it is mostly apartments, is usually enjoyable but always with a tinge of weird. You enter this borrowed space and establish your presence while always being aware of the temporary nature of your stay.
At the seminar at the National Gallery of Australia, the Indonesian artist FX Harsono made a presentation as an Indonesian of Chinese decent who is now researching and making art about the treatment of the Chinese communities in the early days of the Indonesian republic.
There’s a fantastic video on exhibition in which FX Harsono deals with his Chinese name, in that he is writing it continuously while other forces are washing it away.
It was while visiting the Canberra Gallery for another exhibition that we spotted these six works by the artist/photographer Ian North. On exhibition were colour photographs from Ian’s suite of 24 images, the Canberra Suite Series (1981).
I hear debates about the nature of photography today given all the digital technology and all that stuff. The technology may change, as it always has done, but capturing the image and the light and then publishing it in a beautiful format is what has always been about and remains so in the 21st Century. Photography remains a strong and powerful medium.
Black and White photography when it is done well, and the photographer engages with the subject, remains one of the wonders to be enjoyed on the walls of a gallery. The online image serves to introduce you to the works, but visiting a gallery exhibition to see the actual printed image remains a must for any lover of photography.
It was while visiting the Stills Gallery in Sydney to see the works by Mary Ellen Mark, that I was totally struck by the ambiance of a photograph titled: The Damm Family in Their Car, Los Angeles, California, USA, 1987. (it is reproduced larger below)
Besides the stand out nature of the total composition, the car, the children, the hands around the woman, it was the faces on the mother and the daughter that glued me for much more than the standard time one usually spends with any work in an exhibition. Then I could not help but return to it several times.
National Gallery of Australia
Garden of the East: photography in Indonesia 1850s–1940s
21 February – 22 June 2014, free entry to exhibition (note the exhibition is on two floors)
One of the unfortunate outcomes of the marketing of our major art galleries is that so much emphasis has been placed on the special and blockbuster exhibitions. This form of marketing may be assisting with budgets, but this success is at the cost of letting people know about the galleries’ own collection exhibitions.
I had uploaded several posts previously about the 2014 Sydney Biennale (see links at bottom of page). Visits had included the Museum of Contemporary Art (MCA) and the Art Gallery of New South Wales (AGNSW). A visit was made today to the Sydney Biennale at Carriageworks. Carriageworks is an interesting place and included in any visit is a wander into Anna Schwartz Gallery.
As a first comment I have to say that I was disappointed and was in fact a little taken aback by the style and contents. I am not so sure about how this effort enhances the gallery visit within the NGV*.
Once upon time Canberra had heaps visual arts galleries to visit on weekends. Now there are but a few left. Last weekend I visited two publicly funded visual art spaces; being the M16 Gallery in Griffith and the Canberra Contemporary Art Space (CCAS) in Braddon. I can happily report that things are looking good and suggest you get out there and see for yourself just how both of these are traveling.*
This exhibition of the photography of Sue Ford (1943 – 2009) at the Victorian State Gallery (National Gallery of Victoria*) is a curious one. Click here – for their media statements.
As an opening statement I have to say that I did not find this exhibition as satisfactory as I had anticipated. Parts of the exhibition worked reasonably well, whereas other sections look as if someone was not sure what to do with the work, or that maybe they did not understand Sue Ford’s work.
I have now posted on William Kentridge several times, the main one being the 2013 exhibition at the NGA in Canberra.
This exhibition at the Annandale Galleries in Sydney is of new work and it fills the whole two floors of the gallery. This is a must-see exhibition and so you are urged to get along to Annandale. And make sure you buy a copy of the $10 catalogue as this is a wonderful small publication in itself.
Photographer, Fabrice Fouillet, has a series of images of Colosses that were created to dominate and dwarf the landscape and buildings around them.
This year, Russ & Daughters, the acclaimed appetizing institution on the Lower East Side, turns a hundred years old. To celebrate the occasion, the fourth-generation co-owners are giving customers a place to sit.
The 2014 Biennale of Sydney is important and is definitely worth a visit if you are in Sydney. We visited the two main sections of the exhibition and have uploaded comments.
The section of the 2014 Biennale of Sydney at the Art Gallery of NSW is also a mixed lot. (click here for previous post on the MCA). On the day we visited most the rest of the gallery was busy, which is normal for the AGNSW on any day of the week. As we entered the Biennale section we noted that only a few people were in this exhibition.
The Biennale at the MCA is a very mixed lot. On the day we visited, a Sunday, there were showers outside and maybe that was why there were so many people in the gallery. It was very busy with all sorts of people. I asked about this and was told that Sundays can be busy but this one was definitely the busiest.